BIBLIOGRAPHY OF REFEREED PUBLICATIONS
PARTS OF BOOKS:
Introduction to edition of Ernest Buckler’s Ox Bells and Fireflies. Toronto: McClelland & Stewart, 1974.
Introduction to edition of Ernest Buckler’s The Cruelest Month. Toronto: McClelland & Stewart, 1977.
“The Emblems of Henry Peacham.” An essay published in The European Emblem: Towards an Index Emblematicus. Edited by Peter M. Daly. Waterloo: Wilfred Laurier University Press, 1980. Pp. 83-108.
“The Genesis of Ernest Buckler’s The Mountain and the Valley.” First published inJournal of Canadian Fiction (1975). Reprinted in Modern Times: A Critical Anthology. Edited by John Moss. Toronto: NC Press, 1982. Pp. 193-205.
“Ernest Buckler.” In Contemporary Literary Criticism, 13: 118, 119.
“Thomas H. Raddall: An Annotated Bibliography” for The Annotated Bibliography of Canada’s Major Authors, Vol. 7. Edited by Robert Lecker and David Jack (Toronto: ECW Press,1988; Boston: G. K. Hall, 1988), pp. 403-477.
“The English Tournament Imprese.” In The English Emblem and the Continental Tradition. New York: AMS Press, 1988. AMS Studies in the Emblem: No. 1, pp. 61-81.
“Wenceslaus Hollar, the London Book Trade, and Two Unidentified English Emblem Books.” In The English Emblem and the Continental Tradition. New York: AMS Press, 1988. AMS Studies in the Emblem: No. 1, pp. 151-202.
“`Te Stante Virebo’: Thomas Hardy’s `The Ivy-Wife’ and Emblematic Tradition.” In Word and Visual Imagination. Ed. K. J. H�ltgen, P. M. Daly, and Wolfgang Lottes. Erlangen: Erlanger Forschungen, 1988, pp. 327-47.
“Barriers,” “Joust,” “Pas d’Armes,” “Round Tables,” “Tournaments.” In A Companion to the Medieval Theatre. Ed. Ronald W. Vince. New York: Greenwood Press, 1989, pp. 35, 193-94, 280, 297, 345-53.
“`In Gallant Course before Ten Thousand Eyes’: The Tournament in the 1580s.” In The Elizabethan Theatre XI. Ed. A. L. Magnusson and C. E. McGee. Port Credit, Ont.: P. D. Meany, 1990, pp. 33-53.
“Thomas Head Raddall.” In Twentieth-Century Romance and Historical Writers. 2nd edition. Ed. Lesley Henderson. Chicago and London: St. James Press, 1990, p. 537 (col.a)-538 (col. b).
“The Place of Imprese in an Index of Emblem Art.” In The Index of Emblem Art Symposium: Papers from the McGill Symposium “An Index of Emblemn Art”. Edited by Peter M. Daly. New York: AMS Press, 1990. AMS Studies in the Emblem: No. 6, pp. 21-35.
“Sample Imprese Indexed According to the Revised Model.” In The Index of Emblem Art Symposium: Papers from the McGill Symposium “An Index of Emblemn Art”. Edited by Peter M. Daly. New York: AMS Press, 1990. AMS Studies in the Emblem: No. 6, pp. 167-79.
“Peacham, Henry (1578-1644?).” In The Spenser Encyclopedia. Edited by A. C. Hamilton et al. Toronto & Buffalo: University of Toronto Press, 1990, p. 536 (cols. b, c).
“Thomas H. Raddall and His Works.” In Canadian Writers and Their Works. Fiction Series. Edited by Robert Lecker, Jack David, Ellen Quigley. Introduced by George Woodcock. Toronto: ECW Press, 1990, pp. 213-57
“Thomas H. Raddall and the Canadian Critics.” In Time and Place: The Life and Works of Thomas H. Raddall. Edited by Alan R. Young. Fredericton: Acadiensis Press, 1991, pp. 25-42.
“Elizabeth Lowys: Witch and Social Victim, 1564.” In Witchcraft in England. Edited by Brian P. Levack in series Articles on Witchcraft, Magic, and Demonology, Vol. 6. New York: Garland Press, 1992. [Originally published in History Today (1972).]
“L. M. Montgomery’s Rilla of Ingleside (1920): Romance and the Experience of War.” InMyth & Milieu: Atlantic Literature and Culture 1918-1939. Edited by Gwendolyn Davies. Fredericton: Acadiensis Press, 1993, pp. 95-122.
“Thomas Head Raddall.” In Twentieth-Century Romance and Historical Writers. London: St. James Press, 1994, pp. 539-541.
“Thomas Head Raddall (1903-).” In Encyclopedia of Post-Colonial Literatures in English. 2 vols. Edited by Eugene Benson and L. W. Conolly. London & New York: Routledge, 1994, 2:1336.
“Henry Peacham (1578-1644?).” In Dictionary of Literary Biography. Vol. 151 (British Prose Writers of the Early Seventeenth Century). Edited by Clayton D. Lein. Detroit: Gale Research, 1995, pp. 262-71.
“W. H. Auden.” In Shorelines: Letters & Poems from Nova Scotians. Edited by Michael Cussen. Summerville, Nova Scotia: Avondale Press, 1996, pp. 120-21.
“`Colors without number’: Some Emblematic Flag Devices of the Irish Catholic Confederacy and of the English Army for Ireland in 1641-42.” In Iconography in Cultural Studies. Edited by Attila Kiss. Szeged: Jozsef Attila University, 1996, pp. 121-29.
“George Wither’s Other Emblems.” In Emblematic Perceptions: Essays in Honor of William S. Heckscher. Edited by Peter M. Daly and Daniel S. Russell. Baden-Baden: Koerner, 1997, pp. 205-241.
“George Wither, the Netherlands, and an Emblem of Two Pots.” In Anglo-Dutch Relations in the Field of the Emblem. Edited by Bart Westerweel. Leiden: Brill, 1997, pp. 177-87.
“Ernest Buckler.” In The Oxford Companion to Canadian Literature. Second Edition. Don Mills, Ontario: Oxford University Press, 1997.
“Visual Images of Hamlet, 1709-1800.” In Reading Readings: Essays on Shakespeare Editing in the Eighteenth Century. Edited by Joanna Gondris. Madison, Teaneck: Fairleigh Dickinson University Press, 1998, pp. 330-44.
“Thomas Blount’s The Art of Making Devises and the Translation of Authority.” InAspects of Renaissance and Baroque Symbol Theory 1500-1700. Edited by John Manning. New York: AMS Press, 1999, pp. 201-28.
“Jacobean Authority and Henry Peacham’s Manuscript Emblems.” In Deviceful Settings: The English Renaissance Emblem and its Contexts. Edited by Michael Bath and Daniel Russell. New York: AMS Press, 1999, pp. 33-53.
“Fortune in Shakespeare’s King Lear.” In Fortune: ‘All is but Fortune’. Edited by Leslie Thomson. Washington, D.C.: The Folger Shakespeare Library, 2000, pp. 56-67.
“Jeremias Drexel’s The Christians Zodiake (1647) and Protestant Meditation.” In Emblematik und Kunst der Jesuiten in Bayern: Einfluss und Wirkung. Edited by Peter M. Daly, G. Richard Dimler SJ, and Rita Haub. Turnhout: Brepols, 2000, pp. 251-68.
“Hamlet and Nineteenth-Century Photography.” In Shakespeare and the Visual Arts. Edited by Holger Klein and James L. Harner. Shakespeare Yearbook, Vol. 11. Lewiston: Mellen, 2000, pp. 260-307.
“Ernest Buckler.” In The Concise Oxford Companion to Canadian Literature. New edition. Don Mills, Ontario: Oxford University Press, 2001.
“Existential Questions.” In Approaches to Teaching Shakespeare’s ‘Hamlet’. Edited by Bernice W. Kliman. New York: The Modern Language Association of America, 2001, p. 234.
“Ophelia in the Eighteenth-Century Visual Arts.” In Emblem Studies in Honour of Peter M. Daly. Edited by Michael Bath, Pedro F. Campa, and Daniel S. Russell. Baden-Baden: Verlag Valentin Koerner, 2002, pp. 239-71.
“Visual Representations of the Graveyard Scene in Hamlet.” In Stage Directions in ‘Hamlet’: New Essays and New Directions. Edited by Hardin L. Aasand. Madison: Fairleigh Dickinson University Press, 2003, pp. 189-213
“René d’Anjou,” “Royal Entries,” and “Tournament.” In Oxford Encyclopedia of Theatre and Performance. Edited by Dennis Kennedy. 2 vols. Oxford: Oxford University Press, 2003.
“Sir John Tenniel’s Emblematic Shakespeare Cartoons for Punch.” In Emblem Scholarship, Directions and Developments. A Tribute to Gabriel Hornstein. Edited by Peter M. Daly. Turnhout, Belgium: Brepols, 2005, pp. 229-47.
“The Phoenix Reborn: The Jacobean Appropriation of an Elizabethan Symbol.” In Resurrecting Elizabeth I in Seventeenth-Century England. Edited by Elizabeth H. Hageman and Katherine Conway. Madison: Fairleigh Dickinson University Press, 2007, pp. 68-81.
“The Emblem and Flags.” In Companion to Emblem Studies. Edited by Peter Daly. New York: AMS Press, 2008, pp. 457-476.
“The Emblem in Tournaments.” In Companion to Emblem Studies. Edited by Peter Daly. New York: AMS Press, 2008, pp. 477-487.
“English Translations of the Works of Jeremias Drexel 1632-1700.” In Emblematic Images and Religious Texts. Studies in Honor of G. Richard Dimler, S.J. Edited by Pedro F. Campa and Peter M. Daly. Early Modern Catholicism and the Visual Arts Series, Vol. 2. Philadelphia: Saint Joseph’s University Press, 2010, 183-201.
“Kenny Meadows and the Emblematic Designs for Shakespeare’s Cymbeline in Robert Tyas’s ‘Shakspere for the People’ Project (1839-43).” In In nocte consilium: Studies in Emblematics in Honor of Pedro F. Campa. Edited by John T. Cull and Peter M. Daly. Baden-Baden: Verlag Valentin Koerner, 2011, 461-484.
“Hamlet in the Visual Arts up to 1900.” In Hamlet-Handbuch: Stoffe, Aneignungen, Deutungen. Edited by Peter W. Marx. Stuttgart: Verlag J. B. Metzler, 2014, 462-72.
“Heraldry and Alternate Emblematic Forms in the Age of Shakespeare.” In Heralds and Heraldry in Shakespeare’s England. Edited by Nigel Ramsay. Donnington, Lincs.: Shaun Tyas, 2014, 283-307.
“Art and English Commemorations of Shakespeare 1769-1964.” In Shakespeare Jubilees: 1769-2014. Edited by Christa Jansohn and Dieter Mehl. Studien zur englischen Literatur, 27. Munich: LIT, 2015, 79-110.
“Popular Versus Scholarly Texts.” In The Cambridge Guide to the Worlds of Shakespeare. 2 vols. Edited by Bruce R. Smith. Cambridge: Cambridge University Press, 2016, 2:1627-1635.