BIBLIOGRAPHY OF REFEREED PUBLICATIONS
(Alan R. Young)
ARTICLES:
“Elizabeth Lowys: Witch and Social Victim,” History Today, 22 (1972), 879-85.
“Drama and the Teaching of English,” ATENS Review, 5 (1972), 12-15.
“The Pastoral Vision of Ernest Buckler in The Mountain and the Valley,” Dalhousie Review, 53 (1973), 219-26.
“‘. . . and a’babled of green fields’: An Explication of Shakespeare’s Henry V, II iii 12-18,” Explicator, 32 (1973), 3-7.
“The Oral Sources of King Lear and the Problem of Justice in the Play,” Studies in English Literature (1975), 309-19.
“Othello’s ‘Flaming Minister’ and Renaissance Emblem Literature,” English Studies in Canada (Spring 1976), 1-7.
“‘Strange cunning’ in Thomas Middleton’s A Game at Chess,” University of Toronto Quarterly (Spring 1976), 236-45. Jointly written with Richard Davies.
“The Genesis of Ernest Buckler’s The Mountain and the Valley“, Journal of Canadian Fiction, 16 (Fall 1975), 89-96.
“Biographical Note on Henry Peacham,” Notes and Queries, New Series, 24 (1977), 214-17.
“A Note on Douglas Barbour’s `David Canaan: The Failing Heart’,” Studies in Canadian Literature, 1 (1976), 244-46.
“On Gino Matteo’s Shakespeare’s Othello: The Study and the Stage,” English Studies in Canada, 3 (1977), 118-24. (Review Article)
“Henry Peacham’s First Emblem Book: MS. Rawlinson poetry 146,” Bodleian Library Record, 10 no. 2 (1979), 86-97.
“Henry Peacham, Ben Jonson, and the Cult of Elizabeth-Oriana,” Music and Letters, 60 (1979), 305-11.
“Henry Peacham, Author of The Garden of Eloquence (1577): A Biographical Note,”Notes and Queries, New Series, 24, no. 6, 503-07.
“The Orientation of the Elizabethan Stage,” Theatre Notebook, 33 (1979), 80-85.
“Prospero’s Table: The Name of Shakespeare’s Duke of Milan,” Shakespeare Quarterly, 30 (1979), 408-10.
“Shakespeare’s Henry VIII and the Theme of Conscience,” English Studies in Canada, 7 (Spring 1981), 38-53.
“The Emblem and Literature,” Dalhousie Review, 60 (1980), 157-63. (Review Article)
“Emblem Books and their Readers: Some Recent Bibliographical Projects,” Atlantic Provinces Library Association Bulletin, 45, no. 5 (1982), 59-60.
“Sir Philip Sidney’s Tournament Impresas,” Sidney Newsletter, 6 no. 1 (1985), 6-24.
“The Genesis and Composition of Thomas H. Raddall’s His Majesty’s Yankees,” Essays in Canadian Writing, 31 (Summer 1985), 142-157. [Special issue on “Literature of Atlantic Canada,” edited by Terry Whalen.]
“A Note on the Tournament Impresas in Pericles,” Shakespeare Quarterly, 36 (Winter 1985), 453-456.
“Henry Peacham, Ripa’s Iconologia, and Vasari’s Lives,” Renaissance and Reformation, n.s. 9, no. 3 (1985), 177-88.
“Facsimiles, Microform Reproductions, and Modern Editions of Emblem Books,” Emblematica, 1 no. 1 (Spring 1986), 109-56.
“Tudor Arthurianism and the Earl of Cumberland’s Tournament Pageants,” Dalhousie Review, 67, nos. 2/3 (1988), 176-89.
“Varieties of Nova Scotian Experience: Thomas Raddall and Alistair MacLeod” (Review Article), Dalhousie Review, 67, nos. 2/3 (1988), 340-44.
“The Emblematic Decoration of Queen Elizabeth I’s Warship the White Bear.” Emblematica, 3 no. 1 (Spring 1988), 65-77.
“Thomas Heywood’s Pageants: New Forms of Evidence,” Research Opportunities in Renaissance Drama, 30 (1988), 129-151.
“Alciato, Paradin, and John Bossewell’s Workes of Armorie (1572).” Emblematica, 3 no. 2 (Fall, 1988), 351-376.
“We throw the torch’: Canadian Memorials of the Great War and the Mythology of Heroic Sacrifice.” Journal of Canadian Studies, 24, no. 4 (Winter 1989-90), 5-28.
“The English Civil War Flags: Emblematic Devices and Propaganda.” Emblematica, 5 no. 2 (Winter 1991), 341-56.
“The Emblematic Art of Ben Jonson.” Emblematica, 6 no. 1 (Summer 1992), 17-36.
[Review Article] “The Great War and National Mythology.” Acadiensis, 23 no. 2 (Spring 1994), 155-66.
“Wither’s Second Emblem Book: Divine Poems.” Emblematica, 7 no. 1 (Summer 1993), 189-99.
[Obituary] “Thomas Head Raddall, 1903-1994.” Transactions of the Royal Society of Canada, 6th series, 5 (1994), 220-23.
“Ireland 1641-1642: Some Emblematic Flag Devices.” The Flag Bulletin, 34 no. 5 (Sept-Oct 1995), 178-91.
“Let the Games Begin.” Emblematica, 13 (2004), 407-409.
“George Wither’s Emblems: The Role of Picture Background and Reader/Viewer.” [With Peter M. Daly.] Emblematica, 14 (2005), 223-250.
“Henry Irving’s Hamlet: Some Visual Sources.” Nineteenth Century Theatre and Film, 32 no. 2 (Winter 2005), 3-19.
[Obituary] “John Robert Backhouse Horden (1917-2007),” Society for Emblem Studies Newsletter, no. 42 (January 2008), 1-2.
“Charles Knight and the Nineteenth-century Market for Shakespeare.” Papers of the Bibliographical Society of America 103:1 (March 2009), 19-41.
“Kenny Meadows’s Illustrations for Robert Tyas’s ‘Shakspere for the People’ Project (1839-43).” Papers of the Bibliographical Society of America 104:2 (June 2010), 219-51.
“John Dicks’s Illustrated Edition of ‘Shakspere for the Millions’.” Papers of the Bibliographical Society of America 106:3 (September 2012). 285-310.
“Digitizing the Emblem.” Early Modern Literary Studies. Special Issue 20 (2012). Edited by Mara Wade. (Electronic publication http://extra.shu.ac.uk/emls/si-20/WADE_Young_EMLS.htm).
[Obituary] “In Memoriam. Karl Josef Holtgen (1927-2011). Society for Emblem Studies Newsletter, no. 51 (Summer 2012), 5-6. (Available online http://german.lss.wisc.edu/~smoedersheim/newsletter.htm).
“Sarah Bernhardt’s Ophelia.” Borrowers and Lenders: The Journal of Shakespeare Appropriation, 8:1 (Spring/Summer 2013). (Electronic Publication http://www.borrowers.uga.edu./662/display).